How does the filming help to make ‘The Shining’ an exceptional Horror movie? Essay

Stanley Kubrick a.k.a. The Master Filmmaker, was born on July 26, 1928 in the Bronx, unfermented York City. By age 13 he had developed passions for jazz, drumming, chess and picture taking. In 1951 at 23 days of age, Kubrick used his savings to finance his counterbalance film, a 16-minute documentary short ab step forward boxer Walter Cartier.On promenade 7th, 1999, Stanley Kubrick died in his sleep of a heart attack. He was 70 years old.The glitter is a typical example of the mutual exclusiveness genre because it full treatment by arousing irrational fear. Stanley Kubrick uses step vote d take imagery to make the apprehension in the iniquity, controlled and not too over whelming for the auditory gumption, to make it chitchatm to a greater extent than believable. The horror is a paradox because it presents a vision of terror to the audience unless the audience try to fight e actuallything the director is trying to get by telling themselves that, it is just a movie, it s not real, you cant sc be me.The Shining was based on Stephen powers troika published novel, which became a best seller upon its outlet in 1977. What managewise makes The Shining such an exceptional horror movie is the way Stanley Kubrick keeps the horror hidden from the audience and like most(prenominal) good horror films, at that place is always a sense of the supernatural, good vs. evil and a sense of isolation.Personally I feel that the Shining is a typical horror film because its a situation where the victims are isolated from the out of doors world and there is a mad man or something out of the ordinary killing them, which is true of most horror films like nightmare on Elm Street, The Ring, Signs, Jeepers Creepers 1 and 2 and Dracula.The photographic camera at the start of the film is moving over a enormous mountain pass. We are shown a flyspeck Volkswagen car driving down a road, the film has many of the most beautiful, atmospheric cinematography, by tush Alcott . This scene gives the impression of mans vulnerability, when seen against the massive powers of nature a sense of the another(prenominal) is also created here by the aerial photography a dark power looking down on the tiny beetle. trap Torrance ( mariner Nicholson) is attending a job interview for the determine of a winter caretaker at The Overlook Hotel, located in the rockies of Colorado, build on an Indian burial ground. At the beginning of this film fathead conducts himself as a calm, charming man. He goes for the interview looking sassy wearing a collar and a tie, s contractn and looking in truth confident. During his interview the camera is films from behind Jack, making it seem as though some maven or something is watching Jack a sense of the other and there are some frontal prospects in which the background is peach, indulgent and warm. This presents a comforting, secure atmosphere.As the movie builds up we begin to release that the Overlook Hotel is not just any other normal Hotel but haunted although the horror is kept hidden from us we just see parts of the supernatural, although as we discover through the movie that this is much more(prenominal)(prenominal) than a mere haunted brook tale. One of the things that makes it so evoke is that it shows a wide variety of elements that lead to Jacks derangement to the point that we are left with the question on our minds whether it genuinely was the house that leads to Jacks insanity or the isolation for six months, so far from the out military position world or Jacks own psychological make-up or even reincarnation.We are also told very early in the film, that the hotel has something of a history, in summary, some years previously, a crazed-psycho (the ex-caretaker) killed his married woman and two children by chopping them up into small pieces with an ax plainly once the family settle into the caretaker lifestyle it turns out that Torrances wife does most of the caretaking while her grou chy husband seeks inspiration for a novel he is writing.At first constantlyything goes well but as time goes by, he gets increasingly frustrated with his failure to write and takes it out on his wife (Shelly Duvall). Slowly, Jack begins to change he becomes pale, his clothes become rougher looking more like a labourer and becomes more and more irritable & malevolent towards both his wife and son. In the background, their son played by Danny Lloyd also starts having problems of his very own when he starts receiving psychic visions (E.S.P) of twin girls who were bump off a couple of years ago by their father who was also the caretaker at the Hotel and there are warnings from Tony of redrum which spells murder when you read it backwards.It is clear that both Jack and Danny realize some form of psychic gift as they are both able to pick-up the Hotels own psychic emissions of the horrors that it has seen. The down side is that the visions end up making Jack, go insane. Throughout the movie, the camera follows the sue like someone is watching (presence in the Hotel) and there is always a sense of claustrophobia, For example when Danny is cycling in the corridors and he meets the two murdered girls, the camera when he meets them zooms to his face then back to the girls quaternion measure and gets closer with each shot then a close up again to Danny then a close up of the girls dead bodies four times but not for long so that the audience believably would not find it sickening.We know that the twin girls are ghosts because there is an axe on the floor and blood, and when talking to Danny they use repetition, Come and play with us, for ever and ever and ever which is the Lords Prayer. After that scene Jack sees a vision of a lift and when the doors open blood flows like a river, Personally I felt that this was technically tricksy because it ferocity on the horror aspect.The scariest moment in the movie is when Jack has gone completely insane and is trying to correct his wife and son because he had no real idea what his job as the caretaker there was really till Mr Grady (ex-caretaker) had told him to kill his family because they were trying to damage the house and that his son had brought a coloured cook into the house, the climax of the scariest point is when Jack says Heres Johnny which was rated scariest horror scene out of hundred horror films. This is clever as it uses comedy to make the tragedy seem even more horrific.The end scene is a shot of Jack, frost-bitten and dead in the ampere-second apparently hours later, is a satisfying and scary ending. But Stanley Kubrick delivers an ultimate conclusion, which Stephen King could never have achieved in his novel. The haunting music begins again, the camera sweeps to a framed photo on the wall, and we see a portrait of a ballroom party from decades ago. After the camera zooms in thrice, Jack is seen in the centre of the photo, and the caption reads, Overlook Hotel, 1921. This caption indicates that Jack, or at least his spirit, has always been present in the Overlook Hotel.Kubrick brilliantly arranges each shot in the film so that the viewer is easily drawn into the story. in that respect is no single scene, shot, or camera angle, which does not denote a deeper meaning or have symbolic value.This movie is perhaps Stanley Kubricks greatest work. I feel that this movie could not have had a better cast, and there is nowhere else in the world where this movie could have been set.I feel that Jack Nicholsons performance in The Shining was absolutely stunning. I also feel that without Jack Nicholson, The Shining would have been just another haunted house film. Jack Nicholsons scene of a man teetering on the brink of insanity was brilliant. We watch in terror as the insanity slowly settles in and exploding fiercely into this man, transforming him from one who is trying to repair his fragile family life into a stark ravingly lunatic bent on destroying everything he lo ves. It is truly a supernatural movie experience. So I feel that The Shining really is the greatest horror movie ever made.